Дэвид Лашапель Lachapelle Heaven to Hell
В футляре
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| Характеристики Дэвид Лашапель |
 | | переплет | твердый переплет |
| | в футляре | Да |
| | год издания | 2006 |
| | язык текста | английский/немецкий/ французский |
| | язык оригинала | английский |
| | формат | 278 x 355 мм |
| | страниц | 344 |
| | isbn | 978-3-8228-2572-3 |
| | Вес | 3710 |
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Фотографии Дэвида Лашапеля (David LaChapelle) – это самые знаменитые лица планеты и фигуры стоящие в не мейнстрима, такие как транссексуал Аманда Лепоре (Amanda Lepore), заставляют переоценить наше отношение к полу, гламуру и статусу. Материалом для его работ становятся Ренесанс, история искуств, кино, Библия, порнография и новая пожирающая весь мир поп-культура – вместе образующие мощный язык визуализации, отражающий наш мир.
LaChapelle Heaven to Hell is the long-awaited third volume in an exhilarating trilogy that began with LaChapelle Land (1996) and continued with the infamous Hotel LaChapelle (1999). Packed with astonishing, color-saturated, and provocative images, those titles both became instant collector’s items and have since gone through multiple printings. Featuring almost twice as many images as its predecessors, LaChapelle Heaven to Hell is an explosive compilation of new work by the visionary photographer. Since the publication of Hotel LaChapelle, the strength of LaChapelle’s work lies in its ability to focus the lens of celebrity and fashion toward more pressing issues of societal concern.
LaChapelle’s images—of the most famous faces on the planet, and marginalized figures like transsexual Amanda Lepore or the cast of his critically acclaimed social documentary Rize—call into question our relationship with gender, glamour, and status. Using his trademark baroque excess, LaChapelle inverts the consumption he appears to celebrate, pointing instead to apocalyptic consequences for humanity itself. While referencing and acknowledging diverse sources such as Renaissance, art history, cinema, The Bible, pornography, and the new globalized pop culture, LaChapelle has fashioned a deeply personal and epoch-defining visual language that holds up a mirror to our times.
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